Prelude Op. 23, No. 10

Prelude · in G♭ major · Op. 23 No. 10

Sergei Rachmaninoff 1873–1943
G♭ major
Key
Prelude
Form
Largo
Tempo
Op. 23 No. 10
Catalogue

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Themes & character
Elegiac close·From the Op.23 set·Inspired by a painting·Quiet resignation

At a glance

Catalogue
Op. 23 No. 10
Key
G♭ major
Tempo / character
Largo
Form
Prelude

About the piece

The tenth and final piece in Rachmaninoff's Op. 23 set, composed in 1903, slow and elegiac in character. Rachmaninoff himself noted that this prelude, along with a later piece in his Op. 39 set, was connected in his mind to Arnold Bocklin's painting The Homecoming, an image of quiet, resigned return. It closes the Op. 23 set in a hushed, contemplative mood, far from the martial drama of the collection's famous fifth number.

The composer

Sergei Rachmaninoff
Sergei Rachmaninoff
1873–1943

Sergei Vasilyevich Rachmaninoff was a Russian composer, virtuoso pianist, and conductor. Rachmaninoff is widely considered one of the finest pianists of his day and, as a composer, one of the last great representatives of Romanticism in Russian classical music. Early influences of Tchaikovsky, Rimsky-Korsakov, and other Russian composers gave way to a thoroughly personal idiom notable for its song-like melodicism, expressiveness, dense contrapuntal textures, and rich orchestral colours. The piano is featured prominently in Rachmaninoff's compositional output and he used his skills as a performer to fully explore the expressive and technical possibilities of the instrument.

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