Gavotte from Iphigenie in Aulis

Gavotte

Christoph Willibald Ritter von Gluck 1714–1787
Gavotte
Form
Score
First page of Gavotte from Iphigenie in Aulis

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Themes & character
From Gluck's opera·Baroque dance·Frequently arranged·Premiered 1774

At a glance

Form
Gavotte

About the piece

A gavotte from Gluck's opera Iphigenie en Aulide, premiered in Paris in 1774, extracted and arranged for keyboard as such dances routinely were. Gluck's operatic reforms, stripping away vocal display in favour of dramatic truth, reshaped serious opera and influenced Mozart directly. Brahms later made his own well known piano arrangement of a Gluck gavotte, for Clara Schumann to play.

The composer

Christoph Willibald Ritter von Gluck
Christoph Willibald Ritter von Gluck
1714–1787

Christoph Willibald Ritter von Gluck was a composer of Italian and French opera in the early classical period. Born in the Upper Palatinate and raised in Bohemia, both part of the Holy Roman Empire at the time, he gained prominence at the Habsburg court in Vienna. There he brought about the practical reform of opera's dramaturgical practices for which many intellectuals had been campaigning. With a series of radical new works in the 1760s, among them Orfeo ed Euridice and Alceste, he broke the stranglehold that Metastasian opera seria had enjoyed for much of the century. Gluck introduced more drama by using orchestral recitative and cutting the usually long da capo aria. His later operas have half the length of a typical baroque opera.

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